Here is a very interesting extract from Elif Batuman’s article in The London Review of Books on Elisabeth Roudinescou’s recent book, Philosophy in Turbulent Times:
…Roudinesco begins by situating Huston’s choice of Sartre as screenwriter within the context of America’s hygienisation, medicalisation and corruption of psychoanalysis. Apparently, the one oasis in America where ‘emigrants from old Europe’ sustained the ‘high tradition’ of Freudian analysis was Hollywood, which Roudinesco represents as a European-operated machine for ‘criticising the ideals of the American way of life’.